The art in Blossoms 666 strives for realism, despite its surreal plot, and it achieves it beautifully. The usual Archie characters definitely look different compared to their traditional counterparts, but are still recognisable and distinguishable. One standout aspect of the art is the use of red, in regards to the Blossom siblings. Their bright red hair stands out no matter where they are. This choice to make them as vibrant as the bloody and satanic imagery is a solid one, making the siblings appear that bit more demonic, especially in contrast so super sleuth Betty and her blonde hair. Even when on the same page as redheaded Archie, it is Cheryl that stands out more vividly.
The paneling gives attention where it is needed, laying it out in a way that is easy to follow, and leaving enough in the background to flesh out the scene, so that our characters are not speaking into the ether. Screams of terror permeate into the scenery, bold and yellow, showing the speaker“s blood-curdling fear.
As we reach the midpoint of this five issue limited series, Cheryl and Jason are still scheming their ways to become the Anti-Christ. However, a new combatant has entered the ring ”“ long lost sibling Julian. Opening up with an explanation for how the Blossom twins are actually triplets, this Archie Horror miniseries reaches its midpoint, scaling up the deception. While answering some questions ”“ what happened to Ethel? ”“ it results in even more, leading to hunger for the next installment.
[yasr_overall_rating size=”medium”]
Writer: Cullen Bunn
Artist: Laura Braga
Colouring: Matt Herms
Letting: Jack Morelli
Publisher: Archie Horror
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- Awesome Fox is a writer, artist, and all-round nerd. You can check them out at @awesomefox42 on both twitter and instagram.
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