Shattahs #0 Review: Shattahverse Brings Cosmic Jamrock Heat

Shattahs #0 walks into the room like it kicked the door open with one boot in cosmic mythology and the other planted firmly in Jamrock street energy. This is not a quiet little intro issue trying to politely shake your hand. Nah. This book pulls up with classified files, multiversal decay, knockoff heroes, cosmic executioners, frozen bodies, bullets flying, Jamaican flavor, and a mysterious hooded figure who looks like he has seen enough nonsense across reality and is ready to start cleaning house. WEPA, now that is how you start a universe.

The first thing that jumps out about Shattahs #0 is ambition. This issue is swinging big. The opening pages set up a massive concept: reality itself is being corroded by imitation, recycled narratives, unstable worlds, and multiversal contamination. The Shattahs are presented almost like hunters of entropy, agents sent into compromised dimensions to remove threats before the whole cosmic fabric turns into soup. That is a wild idea, and honestly, it feels very current. In an era where pop culture is constantly debating originality, remakes, clones, multiverses, variants, and “wait, didn’t we already see this before?” storytelling, this comic takes that conversation and turns it into a weaponized sci-fi premise. That is clever. That has teeth.

Then the book introduces The Father, and immediately the scale goes from “comic book cosmic” to “oh, this guy might delete the Wi-Fi password for existence itself.” The Father’s page is dramatic, moody, and imposing, giving us the sense that this is not simply a villain but a consequence. That word matters. It makes him feel less like a punch-the-bad-guy problem and more like the universe finally sending an invoice for everybody’s bad decisions. You already know that kind of antagonist has potential. He does not need to scream. He just needs to stand there looking like time, space, and common sense all owe him money.

But where Shattahs #0 really finds personality is when it shifts from cosmic narration into Jamaica. The “Welcome to Jamrock” transition gives the book a pulse. Suddenly, the huge abstract talk about universes and creation collapses down into people running for their lives, characters talking smack under pressure, bodies hitting pavement, and chaos moving at street level. That contrast is what gives the issue flavor. It is not just “big cosmic concept number 7,492.” It has cultural rhythm. It has location. It has language. It has attitude. The Jamrock sequence brings heat, humor, and danger all at once, and it gives readers something human to hold onto after the massive multiverse opening.

Wayne and Biggs bring that gritty buddy-survival energy to the middle stretch of the issue. Their banter has personality, and the book clearly wants their relationship to feel lived-in. You get the sense these characters have history, frustration, loyalty, and maybe a few too many bad choices in the rearview mirror. There is a scene involving liquid nitrogen that feels like the creators were having fun with the setting, and that kind of pulpy environmental action is always welcome. Give me characters using the room, the tools, the danger, and the stupidity around them to survive. That is comic book seasoning right there.

Visually, this issue has moments where it absolutely pops. The cosmic pages are colorful, bold, and loaded with energy. There are panels where the universe feels like it is bleeding light, where planets, fire, and cosmic bodies are used to sell the scale of the collapse. The Jamrock pages bring a different palette, moving from sun-baked street action into cold industrial blues and greens inside the facility. That color shift helps separate the book’s moods. The action has snap, especially once things start breaking, blasting, freezing, and exploding. There is a raw indie fire here that feels hungry. Not corporate-polished. Not sanitized. Hungry. That matters.

The cover also does its job. A character crouched with glowing energy, lightning crawling across the image, shadowy figures around the skyline, and the line “In an age of knockoffs… Are your heroes safe?” sells the mission statement immediately. It tells readers this is about identity, power, danger, and possibly taking aim at the superhero machine itself. That is a strong hook.

Now, let’s keep it real, because this issue is promising but not flawless. Shattahs #0 has a lot of ideas packed into a small runway. The cosmic opening is cool, but it is also dense. The classified briefing, The Father, the multiverse decay, the indictment of creation, the mission structure, and the sudden jump into Jamrock all arrive quickly. For readers who love lore-heavy launches, that may be delicious. For casual readers, it may feel like being thrown into a hurricane while somebody is reading a secret government memo through a thunderstorm. The concept is strong, but future issues would benefit from letting the reader breathe a bit more between mythology drops.

The lettering and text-heavy exposition also create some friction in places. Some pages are visually impressive but ask the reader to absorb a lot of narrative information at once. When the book is in motion, with Wayne, Biggs, and the chase sequences, it feels more alive and easier to connect with. When it leans too heavily into explaining the universe, the momentum slows. That is not a dealbreaker, but it is something to sharpen. The world is interesting enough that it does not need to unload every secret at once. Let the mystery simmer. Let us chase the smoke before showing us the whole fire.

Still, the positives here are loud. Shattahs #0 feels like the foundation of something that could grow into a very distinct indie comic universe. It has cultural texture, cosmic stakes, anti-knockoff commentary, superhero deconstruction, street-level action, and a mysterious lead presence that feels built for bigger reveals. The cliffhanger lands with purpose, especially with the “be the change” messaging woven into the closing moments. That final idea gives the book a motivational spark beneath all the danger. Sometimes the special person is not the chosen one glowing on a mountain somewhere. Sometimes it is the person who gets knocked down, looks at the disaster, and decides, “Nah, not like this.”

That is the part I respect most. Beneath the guns, gods, multiversal collapse, and Jamrock madness, Shattahs #0 seems to be about stepping into responsibility when reality itself is tired of the nonsense. It is rough around some edges, yes, but the voice is there. The energy is there. The world has juice. The creators are clearly building something with swagger, scope, and personal flavor.

This is a bold, stylish, idea-packed launchpad with serious potential. It may need a cleaner narrative flow and a little more breathing room moving forward, but as an Issue #0, it does exactly what it should: it makes noise, plants questions, throws punches, and leaves you wanting to see what Shattahverse does next. The crusade has entered the multiverse, familia, and this one came dressed for battle.

CRUSADERS SCORE:
3.5 / 5

Created By D. Ajayi
Writer D. Ajayi
Credited Creative Team D. Ajayi, Audeva Joseph, David Omobolaji, Frank Destiny, Sean Lee
Line Artists Xander Odulesi, David Omobolaji, Alex Castro
Inkers Nuel Johnson, Clovis Batebola, Alan Lynch
Editors Deon Donovan, Oluwadamilola
Letterers Akinwale Akinayo, Rick Joseph
Colorists Sean Lee, Adesida Onome, Frank Destiny, Oz Ezeogu
Background Art Emmanuel Emax Olumide
Concept Art Cassandra Mark, Joseph Fajembola, Vicart Tochi
Cover Art Nuel Aluyi, R. Bartley
Publisher / Universe Shattahverse

Get your copy and learn more at:
shattahsverse.com